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Science works through experimentation and replication. Hypotheses are put forward; tests are run; and results are obtained. If something surprising or interesting is found in an experiment, other researchers can […]
Currently, scientists and physicians have a limited understanding of the complex issue of pain and how to treat it. Pain or numbness is perceived by the brain using signals sent by the peripheral nervous system and it is hard to determine how a person’s nervous-system cells react and respond to stimuli. While it is relatively easy to collect a blood or a skin sample or even a tissue biopsy, it is not possible to sample portions of a patient’s neural system. A recent breakthrough finds a way around this problem.
This isn’t the Matrix. Should you wish to face the ugly reality, there’s no red pill you can swallow.
When the Whitney Museum of American Art decided to stage in 1948 their first exhibition of a living American artist, they chose someone who wasn’t even an American citizen, but only legally could become one just before his death. Painter Yasuo Kuniyoshi came to America as a teenager and immersed himself in American culture and art while rising to the top of his profession, all while facing discrimination based on his Japanese heritage.  The exhibition The Artistic Journey of Yasuo Kuniyoshi, which runs through August 30, 2015 at the Smithsonian American Art Museum in Washington, DC, unveils an amazing story of an artist who lived between two worlds — East and West — while bridging them in his art that not only synthesized different traditions, but also mirrored the joys and cruelties of them.