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“When I think of art, I think of beauty. Beauty is the mystery of life,” minimalist artist Agnes Martin once explained. “It is not in the eye; it is in my mind. In our minds there is awareness of perfection.” In the first comprehensive survey of her art at the Tate Modern, in London, England, the exhibition Agnes Martin strives to guide viewers to that “awareness of perfection” Martin strove to embody in her minimalist, geometrically founded art. Rather than the cold, person-less brand of modernist minimalism, Martin’s work personifies the warm humanity of Buddhist editing down to essentials. At the same time, surveying Martin’s art and thinking allows us to revisit the feminist critiques of minimalism and shows how Martin’s stepping back from the bustle of the New York art scene freed her to find “a beautiful mind” — not just for women, but for everyone.
While it’s easy to laugh off a pseudo-religion that battles cosmic tax auditors and exorcises invisible atomic volcanic gremlins, that’s merely the hypnotic gibberish hiding the organization’s true intention: amassing capital and property worldwide. And like many other religions, they’re wildly successful.
Govert Schilling’s new book deserves a place in everyone’s life. “Imagination will often carry us to worlds that never were. But without it we go nowhere.” –Carl Sagan Imagine the […]
The word “rational” needs to be rescued. Tom Stoppard’s new play shows that a major rational parable, the Prisoner’s Dilemma, is widely misinterpreted. Seeing why “rationalists” do worse than Christians can help us avoid losing in evolution’s “negative telos” games.   
When the Whitney Museum of American Art decided to stage in 1948 their first exhibition of a living American artist, they chose someone who wasn’t even an American citizen, but only legally could become one just before his death. Painter Yasuo Kuniyoshi came to America as a teenager and immersed himself in American culture and art while rising to the top of his profession, all while facing discrimination based on his Japanese heritage.  The exhibition The Artistic Journey of Yasuo Kuniyoshi, which runs through August 30, 2015 at the Smithsonian American Art Museum in Washington, DC, unveils an amazing story of an artist who lived between two worlds — East and West — while bridging them in his art that not only synthesized different traditions, but also mirrored the joys and cruelties of them.