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On February 8, 1915, at Clune’s Auditorium in Los Angeles, California, D. W. Griffith’s Birth of a Nation premiered. The fledgling art form of film would never be the same, especially in America, which even half a century after the end of the Civil War struggled to come to terms with race. Now, a century after Birth of a Nation’s premier, America still struggles not only with race, but also with how race plays out on the silver screen. For good and ill, Birth of a Nation marks the beginning of the first 100 years of the American Cinema—epically beautiful, yet often racially ugly.
Romance and reason are becoming estranged bedfellows (too bad—they were a cute couple). Does love’s logic now add up? Or is love like “happiness,” a low-resolution word (unhelpful in seeing key distinctions). Food for thought on love’s unrequited logic…
New York neuroticism is the obverse of Kantian tranquility: harried, unsatisfied, anxious, perturbed. A life filled with worry and noise rather than one steeped in calm and virtue. But is this necessarily a bad thing? 
On a wide range of contentious issues, academics and researchers publish work that pretends to offer objective evidence, but which on closer inspection turns out to be advocacy masquerading behind intellectualisms, scientific methodology, footnotes and citations, and erudite language. A recent example is a paper by Nassim Nicholas Taleb and colleagues arguing that genetically modified foods pose such a risk to life on Earth that agricultural biotechnology should be banned under a strict application of the Precautionary Principle.