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If spinning-and-moving charges make magnetic fields, why does a giant neutral thing have one? Image credit: NASA, Chandra X-ray Observatory, SAO, DSS, via http://apod.nasa.gov/apod/ap140725.html. “By allowing the positive ions to […]
What’s powering the jets of material blasting into this galaxy’s disk? NASA explains: The spiral arms of bright, active galaxy M106 sprawl through this remarkable multiwavelength portrait, composed of image […]
What the world’s most powerful collider found, and may yet still find. “Innovation is taking two things that already exist and putting them together in a new way.” –Tom Freston […]
How to Reverse Aging Enzymes like Telomerase and Resveratrol, though not the Fountain of Youth unto themselves, offer tantalizing clues to how we might someday soon unravel the aging process. […]
On October 3, 1948, at 3:50 pm, Peter Blume finished his epic painting, years in the making, titled The Rock (shown above). “After a turbulent decade in which Peter Blume embarked on false starts, endured debilitating anxiety, experienced self-doubt, and found his faith in the creative process renewed,” Robert Cozzolino writes in the catalog to the new exhibition Peter Blume: Nature and Metamorphosis, finishing The Rock must have been a great relief. Blume recorded that date and time the way many record the birth of their children, for The Rock was his precious baby, but completing it marked a rebirth of sorts for Blume as a different kind of artist. Shaped by political and artistic currents of the first half of the 20th century, Blume emerges as a difficult to categorize artist, but also as a fascinating visionary who struggled to paint a personal reality clinging to the foundation of hope.