Skip to content
Culture & Religion

Explaining Away Art

Attempts to explain art, music, literature, and the sense of beauty as adaptations is both trivial as science and empty as a form of understanding.
Sign up for the Smarter Faster newsletter
A weekly newsletter featuring the biggest ideas from the smartest people

Writer and philosopher Roger Scruton says: “The attempt to explain art, music, literature, and the sense of beauty as adaptations is both trivial as science and empty as a form of understanding. It tells us nothing of importance about its subject matter, and does huge intellectual damage in persuading ignorant people that after all there is nothing about the humanities to understand, since they have all been explained — and explained away.” “The whole ‘adaptation’ approach to human phenomena is topsy-turvy. It involves a mechanical application, case by case, of the theory of natural selection, as supplemented by modern genetics.

Sign up for the Smarter Faster newsletter
A weekly newsletter featuring the biggest ideas from the smartest people

Related
The standard line against painter John Singer Sargent goes like this: a very good painter of incredible technique, but little substance who flattered the rich and famous with decadently beautiful portraiture — a Victorian Andrea del Sarto of sorts whose reach rarely exceeded his considerable artistic grasp. A new exhibition of Sargent’s work and the accompanying catalogues argue that he was much more than a painter of pretty faces. Instead, the exhibition Sargent: Portraits of Artists and Friends and catalogues challenge us to see Sargent’s omnivorous mind, which swallowed up nascent modernist movements not just in painting, but also in literature, music, and theater. Sargent the omnivore’s dilemma thus lies in being too many things at once and tasking us to multitask with him.

Up Next