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A day after forecasters unanimously predicted a snowstorm of epic proportions for New York City, and the mayor ordered eight million people to stay off the roads, the predictions failed to materialize. The city received inches of snow rather than the feet predicted. A good thing, to be sure, but how did such dire predictions miss the mark?  
Govert Schilling’s new book deserves a place in everyone’s life. “Imagination will often carry us to worlds that never were. But without it we go nowhere.” –Carl Sagan Imagine the […]
Mama, Don’t Let Your Babies Grow Up To Deny Evolution If adults want to deny evolution, sure. That’s fine. Whatever. But those adults better not make their kids follow in […]
If Mona Lisa is the smile, Madame Cézanne is the scowl. Hortense Fiquet, Paul Cézanne’s model turned mistress turned mother of his child turned metaphorical millstone around his neck, endures as a standard art history punch line—the muse whose misery won immortality through the many masterpiece portraits done of her. Or at least that’s how the joke usually goes. The Metropolitan Museum of Art’s current exhibition Madame Cézanne, which gathers together 24 of the 29 known portraits Cézanne painted of Hortense over a period of more than 20 years, tries to rewrite that joke as it hopes to solve the riddle of Madame Cézanne, aka, The Case of the Miserable Muse.
American Impressionism’s often been seen as a pale copy of the French Impressionism that flowered in the late 19th century. Although American Impressionists early on copied their French counterparts (and even made pilgrimages to Monet’s Giverny garden and home), the exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920, at the Pennsylvania Academy of the Fine Arts through May 24, 2015, proves that American Impressionism quickly blossomed into something distinct—and distinctly American—by the turn of the 20th century. Capturing aesthetically a moment of contradictions as American nativism threatened to close borders while women’s suffrage struggled to open doors, The Artist’s Garden demonstrates the power of flowers to speak volumes about the American past, and present.